← Autodidact Archive · Original Dissent · prozak
Thread ID: 9409 | Posts: 15 | Started: 2003-08-30
2003-08-30 12:55 | User Profile
[url=http://www.billboard.com/bb/charts/electronic.jsp]http://www.billboard.com/bb/charts/electronic.jsp[/url]
Kraftwerk "Tour de France Soundtracks," an album by the unapologetically German group who invented industrial music, has gone to #3 in the jUS charts.
This shows that despite years of Negrotic music being pushed by the Jewish entertainment industry, there are many whites who will stand up for intelligent, European-tradition popular music.
2003-08-30 17:24 | User Profile
I read an article about MTV where some MTV zhid said something about them wanting to be current and how the zhid was glad that the days of "hair-metal freaks" were over. Anyone sane and not with an anti-white agenda would pick the "hair-metal" days over the ugly grunting ape days. Why does MTV promote absolutely the worst? Clearly, there are plenty of talented groups that never get promoted but who deserve it much more that the current crop of grunting apes.
2003-08-30 17:47 | User Profile
The people running MTV are coming out of institutions where leftist perspective on race, gender, and homosexuality are pursued in a theoretical context at some length. They are also often Jews who have anti-pathy for Germanic culture, which has been very influential for Kraftwerk, New Order, and much 80's and post-80's alternative rock. Finally, many are gays who hate normal white couples who can have children.
University programs relating to populare culture (for example, film) are some of the most obsessed with race, gender, and denigrating the white male. You will find them explicitly recommending the denigration of the blond male as an act of justice, and the promotion of interracial sex with white women as 'deconstructive' and 'progressive.' Many of the professors involved are affirmative action hires whose principle speciality is hating their white male colleagues.
Much of this culture goes back to the 60's civil rights and free love movements. Those being involved with film and music at advanced levels having some keen powers of psychological observation, it became increasingly clear that the central psycho-drame of these movements was incredibly atttractive (read: Nordic) whites having sex that did not result in children, and white women having sex with black males (and having children). Sex between blondes, Jews, and Italians was something of secondary theme, but also of interest.
Thus MTV-types continually focus on their fascination with the black male, the denigration of the Nordic male, and the degradation of white and other light-skinned females. Perhaps they are waiting for someone to get shot, who knows. In any case, they can ascribe all of their behavior to following some kind of large-scale 'affirmative action' program that 'makes up' for the fact that white males have been successful and postively-represented in the past, where, of course, race does not actually exist (internally, quite a few simply wish that blond(e)s would just all die, hopefully while being f**ked to death by blacks, semitic-looking Jews, and other darkish folk).
2003-08-30 18:15 | User Profile
Ever notice how most of the :dung: on MTV has nothing to do with music, even with the crap(ehh I mean rap) genre? "Real World", "Beavis and Butthead", "Undressed", "Jackass"(I never understood the point of this show), what the hell does this have to do with music?
**Why does MTV promote absolutely the worst? Clearly, there are plenty of talented groups that never get promoted but who deserve it much more that the current crop of grunting apes. **
You know MadRussian, I've been asking myself this question for several years now. Sadly my older brother is obsessed with MTV yet he can't even answer that question except that "I need MTV to escape my troubles" and such.
2003-08-31 03:39 | User Profile
*Originally posted by perun1201@Aug 30 2003, 18:15 * ** Ever notice how most of the :dung: on MTV has nothing to do with music, even with the crap(ehh I mean rap) genre? "Real World", "Beavis and Butthead", "Undressed", "Jackass"(I never understood the point of this show), what the hell does this have to do with music?
**
And now VH-1 is exactly the same. They used to have some very good shows featuring White classic rock (Behind the Music; Legends; The Rock Show, etc). Now it's non-stop pop "culture" sh-t: fashion, punk "comedians" making smartass comments on the I Love the... nostalgia series. Pure :dung: . I noticed that they did away with the old "Music First" slogan, with damn good reason.
As for that "MTV zhid" commenting about being glad the "hair metal freaks" are "over", it's pickle-nosed filth like him who decide what's in or out. It's not some natural change in public tastes that determine these things like the liars always imply.
2003-09-02 18:24 | User Profile
I've got to admit, I like the I love the... nostalgia bits. Not for the smartassed comedians, but it's still neat to see the things you'd forgotten about and to compare the rather-harmless pop-culture of the '70s and '80s with the absolute filth promoted as desirable today. We've come so far, so fast.
The Behind the Music series was about the best thing on that channel, IMO. The one on AC/DC was really rockin'.
I sat and watched about ten minutes of "The Fabulous Life of..." series last night. I think it was on negro rappers. It was really revolting what was shown, all to the narration of breathless excitement and approval for the grotesque "lifestyle" on display. Only in Weimar America (A Jewish Production) can 80-IQ bootlipped Negroes make more money than any thousand decent folks simply by grunting and thumping to someone whacking on a garbage can while waggling their hands in front of the audience's face.
Blecccch.
2003-09-02 21:41 | User Profile
The one on AC/DC was really rockin'.
MAN I love those guys. That is WHITE rock and roll, right there. AC/DC. Here's another nomination: Def Leppard. I wasn't a huge fan, but can their awesome Whiteness be denied?
2003-09-03 03:51 | User Profile
*Originally posted by MadScienceType@Sep 2 2003, 18:24 * ** I sat and watched about ten minutes of "The Fabulous Life of..." series last night. I think it was on negro rappers. It was really revolting what was shown, all to the narration of breathless excitement and approval for the grotesque "lifestyle" on display. Only in Weimar America (A Jewish Production) can 80-IQ bootlipped Negroes make more money than any thousand decent folks simply by grunting and thumping to someone whacking on a garbage can while waggling their hands in front of the audience's face.
Blecccch. **
The Fabulous Life of.... is the most revolting filth of all. I saw one about that ugly PR "J-Lo": they said that the bitch could afford to buy 100 $300,000 Bentleys on a year's pay. We reacted just as you did when watching it: millions of decent White people struggle to scrape by while worthless brown pigs like her make hundreds of millions.....
The g-ddamn JEW is to blame for all of this obscenity, make no mistake about it.
I love AC/DC, too. That Behind the Music was really great: candid, funny interviews; really cool snippets of jamming from Angus & Malcolm. Angus Young is one of the most underrated guitarists in rock: anyone who's heard his solo on Ride On would agree. Yngwie Malmsteen does, for one.
2003-09-03 03:59 | User Profile
*Originally posted by MadScienceType@Sep 2 2003, 12:24 * ** I'Only in Weimar America (A Jewish Production) can 80-IQ bootlipped Negroes make more money than any thousand decent folks simply by grunting and thumping to someone whacking on a garbage can while waggling their hands in front of the audience's face.
Blecccch. **
That or be some white Black wannabe(aka whigger), like Eminem. He's just as bad as the rest of them. Some stupid article I read talked about how more people are trying to go into rap music because "it's more creative" than say an ordinary job. Creative how? All rap songs sound exactly alike(literally!) and the same goes for pop music. There's no creativity in it at all!
And what pisses me off even more is that those who listen to rap always have to make sure that everybody else around them has to hear it. As if everybody wants to hear that :dung: ! You know other people may want to listen to their own type of music(which probally has more talen involved). Either driving in their cars or just having gathering of "homeboys", they always it at top volume, and it literally hurts your eardrum. I feel sorry for some old person with sensitive ears having them damage because of some jackass!
I'm always waken up at 3am every night cause some :afro: keeps blaring his crap at top volume while driving by my house! :angry:
:rock: to Beethoven! :punk: :punk:
2003-09-03 13:35 | User Profile
That or be some white Black wannabe(aka whigger), like Eminem.
I consider Eminem a Negro for all intents and purposes, though it should be noted that the "industry" doesn't, for as il ragno pointed out, no duskier rappers were/are forced to apologize for anti-homo lyrics or attitudes.
Angus Young is one of the most underrated guitarists in rock: anyone who's heard his solo on Ride On would agree.
Darn tootin'! Meanwhile, average-to-good players like Stevie Ray Vaughn are elevated to godlike status. Around Austin, the cult of SRV is well-established, though it has mellowed somewhat as of late. Of course, the guy had to die to get there, but it only cemented an already overblown rep, IMO.
One of the funny bits on the I Love the '70s was a Zeppelin vs. Who question. Zeppelin for me all the way, of course, but one wit proposed that the reason Pete Townshend smashed stuff onstage was that he wasn't nearly the player Jimmy Page was. :th:
2003-09-04 05:20 | User Profile
*Originally posted by MadScienceType@Sep 3 2003, 13:35 * ** Darn tootin'! Meanwhile, average-to-good players like Stevie Ray Vaughn are elevated to godlike status. Around Austin, the cult of SRV is well-established, though it has mellowed somewhat as of late. Of course, the guy had to die to get there, but it only cemented an already overblown rep, IMO.
**
I liked Vaughn's first album Texas Flood, but he immediately went downhill, due to his fondness for nose candy. Plus, he was a nigra-worshipper of the first water; a real ass-kisser.
Blues players in general get a wildly disproportionate share of the accolades as "great" guitarists from the Judenpresse: Vaughn; Eric Clapton (an admittedly accomplished player), etc. All it seems to take to impress an unlearned listening public is a few flashy pentatonic box patterns played at high volume. The tiny handful of true masters like Allan Holdsworth, Eric Johnson & the aforementioned Malmsteen could blast these blooze kings right off the stage, but relatively few know who they are.
2003-09-04 15:25 | User Profile
For me, Alan Holdsworth's name had only registered in passing over the 10 or so years I've been listening to progressive rock... recently I took my first sampling of his work in the short-lived band 'UK', and was very impressed.
2003-09-05 11:47 | User Profile
*Originally posted by EDUMAKATEDMOFO@Sep 4 2003, 15:25 * ** For me, Alan Holdsworth's name had only registered in passing over the 10 or so years I've been listening to progressive rock... recently I took my first sampling of his work in the short-lived band 'UK', and was very impressed. **
Try Metal Fatique from '85, and prepare to be stunned. For my money, Devil Take The Hindmost has the greatest guitar solo of all time.
2003-09-05 12:33 | User Profile
I hates to give props to a brown man an' all, but Holdsworth's finest work came with the Tony Williams Lifetime band: Believe It in '75 & 76's Million Dollar Legs. And his finest recent hour was in conjunction with Yngwie's old bandmates Jens & Anders Johanssen (on a cd called HEAVY MACHINERY). The problem I have with Holdsworth's solo stuff is too much jazzy noodling, not enough straight-ahead rock. But put him in a band situation (like the aforementioned, or UK, or Soft Machine, or Tempest) and he 's hell-on-wheels.
It sounds like heresy but it really isn't. Heavy fusion of the 70s - Williams, Billy Cobham (both solo and with Mahavishnu), Lenny White (solo and with RTF), Colosseum 2, Larry Coryell's Eleventh House, etc....produced some amazing music, mostly collaborations of black and white players. Of course, this was hard-edged jazz-rock with the emphasis strongly on rock; we're not talking rap or disco here. And I can't say that Cobham or Williams were inferior musicians simply because they're black, because it would be a lie tailored to meet an agenda - and that's a page out of the Jews' playbook, not ours. Besides, they're both legitimately great drummers.
NB, if you can find a comp cd called THE TONY WILLIAMS LIFETIME COLLECTION, you oughta think about buying it. It contains both the Holdsworth albums, complete, and it's AH at his most flabbergasting. Scout's honor.
2003-09-06 18:37 | User Profile
**The problem I have with Holdsworth's solo stuff is too much jazzy noodling, not enough straight-ahead rock. **
This is a valid criticism. Holdsworth does belabor his musical points sometimes - as does Malmsteen, for that matter. Sometimes you just want to say "Ok, ok - I got it! Move on to the next tune, for God's sake...." But ah, the sheer jaw-dropping genius of his playing makes up for any minor irritations.
NB, if you can find a comp cd called THE TONY WILLIAMS LIFETIME COLLECTION, you oughta think about buying it. It contains both the Holdsworth albums, complete, and it's AH at his most flabbergasting. Scout's honor.
Thanks for the tip. Actually, my knowledge of Holdsworth's '70s stuff is basically non-existent. I heard some of his work with violinist Jean-Luc Ponty on NPR years ago and was blown away, but that's all.
I saw a clip of a live dvd he put out a while back. It was amazing to see him play - but then his bass player took over for a lengthy solo. Hell, when I consider purchasing a Holdsworth dvd, I wanna see Holdsworth - not his bassist, no matter how accomplished he might be.