← Autodidact Archive · Original Dissent · Avalanche
Thread ID: 5202 | Posts: 3 | Started: 2003-02-25
2003-02-25 04:34 | User Profile
From: J. R. Colson / Franco
The Grammy Awards, Sun., 2-23-03
We used to watch the Grammy Awards back in the late 1970s, and we remember that most of the artists shown on that music awards show were White, although some were Black, e.g. Donna Summer, Stevie Wonder.
Also, the language in the pop music of that 70s era was rather mild.
Today, popular music is very different, as shown on the most recent Grammy Awards. Most noticeable about the newest music is a.) how much Blacker it has become; and b.) how much more vulgar it is. Indeed, some of the rap lyrics of the Black artists who appear at the Grammy Awards is not even printable here, and we are not PC. One popular rap song features comments about the joys of killing a White cop. Another song features gang rape, with a flashlight used to defile the victim.
Why does this sick rap music exist in large volume? Who creates the CDs and the videos, and markets this garbage? Guess. No, not Blacks. No, not Mexicans. Whites? A few are involved in it. But mostly, as verified by recent web searches, the people who create and market this junk are Jews.
What? You doubt the claim that Jews dominate the popular music business? Well, why not read these item here, which detail web search results:
[url=http://www.vanguardnewsnetwork.com/vnn/showEssay.asp?essayID=982]http://www.vanguardnewsnetwork.com/vnn/sho...asp?essayID=982[/url]
[url=http://www.vanguardnewsnetwork.com/vnn/showEssay.asp?essayID=983]http://www.vanguardnewsnetwork.com/vnn/sho...asp?essayID=983[/url]
Here is an outtake:
**"Time Warner's subsidiary HBO is the country's largest pay-TV cable network. Until the purchase in May 1998 of PolyGram by Edgar Bronfman, Jr., Warner Music was America's largest record company, with 50 labels, the biggest of which is Warner Brothers Records (WEA). Warner Music was an early promoter of "gangsta rap." Through its involvement with Interscope Records (prior to Interscope's acquisition by MCA), it helped to popularize a genre whose graphic lyrics explicitly urge Blacks to commit acts of violence against Whites. (Edgar Bronfman, Jr. as Jewish and a CEO: article "Bronfman brothers give Jews reason to raise glasses," by Julie Wiener, June 23, 2000, [url=http://www.jewishsf.com/bk000623/iseagrams.shtml]http://www.jewishsf.com/bk000623/iseagrams.shtml[/url] ; quote: "Edgar Bronfman Sr. and his brother, Charles, are among a handful of mega-philanthropists in the Jewish world..." ) " ** Those web search results -- which you can double-check for yourself -- verify that the major entertainment companies in America are dominated by Jews.
Oh, sure, you might say, Jews may run those companies, but Whites buy the CDs. To a point, that is true. But first, that "music" must be made "legit" and "hip" in order for the young Whites to flock to it. After all, if Jews tried to sell that garbage in America in 1955, riots would have resulted. That music must be made and packaged in a certain way so that Suzie White Cheerleader will think it is cool and buy it. If she thinks violent negro music is hip and cool, if her friends also own it, bingo! she must own it, too. Jew-controlled MTV color=blue [/color] vaildates the negro music as cool and hip, and you know the rest.
Another outtake: > ** "Viacom. Number three on the list, with 1997 revenues of just over $13 billion, is Viacom, Inc., headed by Sumner Redstone (born Murray Rothstein), a Jew." (Redstone as Jewish and CEO: article, "Event Archive, Sumner Redstone - June 15, 2001," [url=http://www.commonwealthclub.org/archive/01/01-06redstone-speech.html]http://www.commonwealthclub.org/archive/01...one-speech.html[/url] ) ** Why not verify all this for yourself? Go to Google.com, or a similar search engine, and search. Type in a CEO's name, e.g. Harry Goldbergwitzsteinmannikfeldkrantzrosenbaumveld, and search. It helps to add "Jewish" or "Israel" or such at the end of the person's name during the search, since it will take much longer if you don't.
Have fun.
2003-02-25 13:42 | User Profile
Black "music" really sucks . Rap music makes the Sex Pistols sound like Bach. I checked in on the Grammy Awards Sunday night (under the "know thy enemy" rule) and the black performers and award presenters are such a pathetic display of idiocy....not to mention Sean "p diddy" Combs gushing sexy compliments to White Kim Catrall. These sex obessed imbiciles revel in moronic bravado which is accepted like religious doctrine by 95% of the black race. I hear 50 year old black women say "yo, ja rule is my nigra!"
Blacks and jews are keeping blacks down with a gruesome and degenerate hip hop culture. Sorry. I reallydo think black people can do better than that because in the past black groups played their own instruments and sang well, like The Commodores, Earth, Wind & Fire, Ohio Players, Marvin Gaye, Stevie Wonder, et al. Those days are long gone.
2003-03-01 18:53 | User Profile
[url=http://www.eonline.com/News/Items/0,1,11293,00.html]http://www.eonline.com/News/Items/0,1,11293,00.html[/url]
Embattled R. Kelly Still Tops
by Josh Grossberg Feb 18, 2003, 11:00 AM PT
He may be facing a child-porn rap, but R. Kelly is flying higher than ever on the charts.
Proving that most celebrities get the benefit of the doubt from fans when it comes to alleged misbehavin', the Grammy-nominated soul singer's career has so far successfully weathered his sex scandal.
Not only did Kelly recently pen the number one tune "Bump, Bump Bump," for R&B boy band B2K and notched his own hit for his latest libidinous anthem, "Ignition," but the buzz is growing for his latest release, Chocolate Factory, due out Tuesday.
Then there's the Grammy nod he scored for Best Male R&B Performance for "The World's Greatest."
All in all, not a bad reception for the embattled entertainer.
Especially since he was blacklisted by several R&B radio stations after his indictment on 21 counts of child pornography last June in his native Chicago--more than three months after a graphic videotape surfaced purportedly showing Kelly having sex with a 13-year-old girl.
Adding to his woes, he was also slapped with additional kiddie-porn charges in Florida last month after police in Miami found over a dozen nude photos of Kelly and a minor in his Sunshine State residence.
"He's probably more popular now than during "I Believe I Can Fly," [in 1996]," Kedar Massenburg, president of Motown Records, told the Associated Press.
In fact, ask anybody in the R&B scene and you'll find the 36-year-old Kelly is still being welcomed with open arms as the seductive crooner he's always been.
"No matter how terrible what R. Kelly has or hasn't done is, all radio hears is a hit record," Dontay Thompson, R&B editor at industry trade publication Radio & Records, told the Chicago Tribune. "Considering what he's being accused of, the content of the song is questionable, and I had doubts how it would be received. But he has a big fanbase that still wants to hear good music from him, and undeniably this is a good record."
So good in fact that "Ignition" has soared to number two on the R&B charts and has landed at number 12 on the pop charts. The video for the song has also received solid airplay on BET and MTV.
"They love R. Kelly," AJ, cohost of BET's video countdown show, 106 & Park, told AP regarding his young fan base. "It's a hot song. R. Kelly is loved by the streets...he puts out extremely good music."
With tunes like the Marvin Gaye-tinged "You Knock Me Out" and the Al Green-influenced "You Made Me Love You," Chocolate Factory shows that Kelly hasn't forgotten the R&B stylings that made him famous in the first place. Nor has he abandoned his infamously salacious come-ons, as evidenced in the uptempo "Ignition" remix, which depicts a couple having sex in the back seat of a car ("Let me stick my key in your ignition, babe," he hums).
The new record is a far cry from heavily-pirated Loveland, which Kelly decided to scrap in favor of Factory's more upbeat vibe. On that record, which is being sold as a six-track bonus disc along with Factory, Kelly went on the offensive in his ballad, "Heaven, I Need a Hug," against critics who rushed to judgment before all the facts of his child-pornography case could come out in a court of law.
The song failed to generate much airplay. It also followed the bomb that was The Best of Both Worlds, Kelly's joint album with rapper Jay-Z which fell off the charts around the same time news of his sex tapes became public.
Now that he appears to be back on top, Kelly's making the most of his time. He's scheduled to turn up Tuesday per tradition at George's Music Room in Chicago to celebrate the release of Chocolate Factory.
But the hitmaker won't be straying far since an Illinois court has restricted his travel. His next court date is scheduled for March 7.
If convicted of the charges, Kelly could spend up to 15 years in prison, pay a fine of up to $100,000 and would also have to register as a sex offender.
The singer has denied the allegations, claiming not to be the man featured on the videotape.