← Autodidact Archive · Original Dissent · Hereward
Thread ID: 4714 | Posts: 15 | Started: 2003-01-31
2003-01-31 04:42 | User Profile
[url=http://www.faem.com/natvan/mitchum.htm]http://www.faem.com/natvan/mitchum.htm[/url]
ROBERT MITCHUM is the star of the Jews' latest television propaganda epic on the Second World War, The Winds of War. He was also an interviewee in last month's issue of Esquire magazine, where he was quoted saying things which may make it difficult for him to find further work as an actor in Hollywood, if the recent Jewish boycott of pro-Palestinian actress Vanessa Redgrave means anything.
Mitchum. started by needling Esquire's Jewish interviewer, Barry Rehfeld, with a few comments about Adolf Eichmann. When Eichmann, a German official accused by the Jews of participating in the "Holocaust" during the Second World War, was kidnapped in 1960 by Israeli secret police agents and taken to Israel for a two-year show trial, Mitchum said, he and some friends talked about going to Israel wearing "I LIKE IKE" buttons on their shirts. Then he asked Rehfeld, "How do you say 'trust me' in Jewish?" Mitchum's answer to his own question was: "F--k you."
Mitchum reminisced a bit about the Vietnam war, expressing his conviction that Americans could have won it in three days if the war effort hadn't been sabotaged by the media and the politicians. The Jew protested about the violation of "moral principles" which would have been involved in an all-out effort to defeat the communists, comparing the bombing of Haiphong to "the slaughter of six million Jews." Mitchum's immediate response was, "So the Jews say." He then indicated doubt that six million Jews actually had been killed, pointing out that many people were disputing the claim.
Why, then, had Mitchum accepted the leading role in The Winds of War, the inspiration for which came from the Talmud, according to Jewish scriptwriter Herman Wouk? The answer may be found in Mitchum's comment on his general attitude toward acting: "I don't care what I play. I'll play Polish faggots, midgets, women, anything. Any role."
also:
"You've seen every single race besmirched, but you never saw an unfavorable image of a k-ke because the Jews are ever watchful for that. They never allowed it to be shown on the screen!" (Robert Mitchum, Playboy, Jan. 1979)
[url=http://www.propaganda101.com/TheJew...on/interest.htm]http://www.propaganda101.com/TheJew...on/interest.htm[/url]
2003-01-31 05:56 | User Profile
I read this before somewhere (probably at Faem). I'm actually pretty surprised that there was no uproar over Mitchum's comments. If there was, I don't recall hearing about it.
Hereward- I noticed this is linked to a Faem article. I went there today and noticed that the Maguire sections were gone? Do you have any idea what happened to him? I thought he was the most level-headed of the bunch over there, and actually had some good information to convey.
2003-01-31 06:21 | User Profile
Maximillian - actually, this is the first time I hit that site. I'd heard that Mitchum didn't exactly care for Jews, so I just did a search for "Robert Mitchum" and "Jews," and that's one of the things I got... :D
2003-01-31 06:55 | User Profile
He's certainly not the only movie figure who'd have had a hard go of it nowadays. Gable...the Duke...Adolphe Menjou...John Ford...WC Fields....quite a long list, actually.
2003-01-31 07:02 | User Profile
I still have the 1996 'Larry King Live' show on tape where Marlon Brando made his comments about the Jews. He said something very similar to Mitchum's 1979 comments.
2003-01-31 07:22 | User Profile
Quite a few high-ridin' goyim marked the Tribe's domination and reaped the inevitable--vindictive--Jewish backlash...Dolly Parton was quickly brought to heel for observing Jewish Hollywood's hatred of Christianity.
...Burt Reynolds--in 1975 the most popular actor in America--wisecracked about a fellow guest on Carson: "Just what we need, another Jewish director"...Burt, too, tasted Tribal rancor.
Just 2 more examples.
2003-01-31 10:11 | User Profile
John Ford? I'd no idea he apologized to anyone.
WC Fields' will made provisions for large donation to found a white children's orphanage in his name (a fact now routinely deleted from 99% of all published bios, or caponized simply to 'orphanage', but routinely noted in every pre-PC bio of the Great Man). Often refers to blacks as 'Ubangis' in his films, esp YOU CAN'T CHEAT AN HONEST MAN - he even calls Rochester the 'head Ubangi' in one scene; later mutters a reference to "a Ubangi in the fuel supply", a great line. Fond of gag - oft repeated - of turning around, unexpectedly seeing black guy standing behind him and shouting in startled fright as his hat flies off his head spontaneously. In THE BANK DICK, brags of his career in movies working for "Abie and Milton". Most contemporary Fields-film reviews warn viewers of 'racist humor'. Fields' deep-South comedy MISSISSIPPI so rife with race humor it is rarely if ever shown. Even many diehard Fields fans have never seen it.
2003-01-31 15:39 | User Profile
A visit to Sevierville, TN will show what a good businesswoman Parton really is, even though the busy area of East TN surrounding Dollywood is almost surreal given the nearby forests. It isn't pretty in some spots- although never approaching the ugliness of Orlando- but Dolly is responsible for the major chunk of employment in that county. And Dollywood itself has quite a few worthwhile features, mostly centered around traditional music and working Appalachian lifestyle exhibits. A listen to some of her recent bluegrass-oriented output displays her awesome talent; the woman is amazing.
The first article below demonstrates her tough survival instinct. I'm betting the purchase was done to pad her resume, and the movie will never see the light of day. Google turns up the news that not too long after her 'Store' purchase, Parton started getting movie offers after a nearly ten year absence.
Good ROI, I guess. And if she sits on the book for a decade or so, all the better.
Dolly Parton will produce 'The Jew Store' [url=http://www.jewishsf.com/bk990820/etparton.shtml]http://www.jewishsf.com/bk990820/etparton.shtml[/url] (1999)
NEW YORK (JTA) -- Country music singer Dolly Parton plans to produce a film based on the book "The Jew Store," according to Variety magazine. Parton reportedly paid "low six figures" for the film rights to Stella Suberman's memoir about Jewish life in the American South. The book tells the story of the Bronson family, who moved in the 1920s from the Bronx to a small Tennessee town, where they owned a dry goods store, known to locals as "The Jew Store."
The Big Hollywood Lie: Denying that Jews Control the Film Business www.ihr.org/jhr/v17/v17n5p14_Marchetti.html (1994)
When country singer Dolly Parton told Vogue magazine a couple of months ago that her idea for a TV series about a country singer who becomes a gospel singer was turned down by Hollywood, she said that "everyone's afraid to touch anything that religious because most of the people out here are Jewish, and it's a frightening thing for them to promote Christianity." Truer words were never spoken.
But the ADL's chief troublemaker, Abe Foxman, immediately flew into one of his by-now tiresome furies and fired off a letter (which he made available to the news media, of course) to Dolly, scolding her for her innocent, honest comment. Foxman charged that Ms. Parton was invoking "the old antisemitic stereotype of Jewish control of Hollywood and hostility toward Christianity." He did not, however, directly contradict her or deny that Hollywood is controlled by his fellow Jews.
Being the nice person she is and knowing on which side her bread is buttered, Dolly dutifully and publicly apologized. She wrote to Foxman, "I regret that my words could have conjured up an impression of Jewish 'control' of Hollywood." Ever the arrogant, whining bully, Foxman accepted Ms. Parton's atonement, informing the media that is was a "refreshing capitulation." And the Hollywood lie lives on.
2003-02-01 07:48 | User Profile
Originally posted by wintermute@Jan 31 2003, 01:36 > I still have the 1996 'Larry King Live' show on tape where Marlon Brando made his comments about the Jews. He said something very similar to Mitchum's 1979 comments.**
And I still haven't been able the piece together how they made him recant. Brando, to judge from his recent output, obviously doesn't care what he's cast in, or even if he works. Do you have any idea how this was done?**
I'm not sure of the details of how they made him apologize. Brando certainly doesn't seem to be one who could be easily forced to recant a strong personal belief.
One thing that I do know is that the only reason he appeared on that show in the first place was because he was upset with the police beating of a truck load of illegal Mexican immigrants that had taken place a few days earlier. It had been recorded by a police helicopter and released on the national news.
He wasn't even scheduled to be on that night, but he had called in and asked to appear. He offered support of the illegal immigrants and even offered some of them to stay at his house.
2003-02-01 08:42 | User Profile
I didn't know Mitchum was anti-zhid. Now I have one more reason to like him.
Gable had no love for Hyman either? Good. I'd read recently that he was a jew himself, but I didn't really buy that. I recorded Gone With The Wind last week, and was reminded just how good he was in it. A great scene is when a panicky Prissy comes looking for Rhett at the whorehouse. As she babbles on, Gable & the madam look down on her from the upstairs window with the expression of amused adults tolerantly listening to a 3 year-old.
Love W.C. Fields. The Bank Dick is one of the biggest howlers of all time. When he offers the sick bank examiner chili con carne & Boston cream pie, I just........
Those were the days when Whites still had the sense to see the nigras for what they really are, and the self confidence to be open about it.
2003-02-01 10:57 | User Profile
Gable - of German stock (orig Goebel) - is one of those actors who not only projected masculinity, but - the unforgivable crime - unapologetic masculinity. Now that old b+w movies are no longer shown on tv save for a specialty channel like TCM [and, with TimeWarner 100 bill in the red, who knows how soon the axe will fall on that network] Gable- like the era he represented - is now a trivia question w/o an answer for most younger Americans. And he IS great in GWTW - the entire production is built around his dominating presence. The scene where his character is introduced is an unforgettable high point and a bittersweet snapshot of a Hollywood that reflected its audience's longings,not the tikkun-olam castor oil they've been spooning out 'for our own good', in progressively larger spoons, since the end of WW2. My own favorite moment in GWTW is a quiet one, near the end - just before the famous "Frankly, my dear" kissoff. Vivien Leigh, pleading with him to stay, sobs, "But, Rhett, I love you!"; Gable, in a beautifully tender, understated moment that sums up his character's world-weariness, softly says, "That's your misfortune." Priceless.
2003-02-01 18:06 | User Profile
Let's keep an eye on Mel Gibson. It takes more courage today to criticize or expose the tribe than it did back then, even thought I salute the ba**s of Mitchum and the others.
2003-02-02 07:40 | User Profile
Gable - of German stock (orig Goebel) - is one of those actors who not only projected masculinity, but - the unforgivable crime - unapologetic masculinity.
Right again. Those were the days when leading men were MEN: Gable, Wayne, Cooper, Mitchum, etc. Ruggedly handsome, but never, ever pretty. The sorts of fellows that men enjoyed watching and boys wanted to be like. Nowadays, it's almost all feminized pretty boys calculated to cater to the tastes of women alone: DiCaprio, Damon, and so on.
2003-02-02 17:32 | User Profile
There is no question that if I had to compile a syllabus of films that contain the most positive and inspiring images of white society and civilization they'd mostly be pre-1960 black-and-white pictures you couldn't pay today's nose-ringed slacker generation to sit through.
An apt metaphor for the larger dilemna - how you gonna 'reach' [let alone 'save'] an entire generation bred from infancy to feel shame and horror for their own dormant nobility, and even despise the myths that tie them to their higher angels ?
2003-02-03 03:05 | User Profile
Keep in mind that when Gable made GWTW, he was actually younger than Tom Cruise is now. They made men into stars then; we're stuck with perpetual boys now.