← Autodidact Archive · Original Dissent · il ragno
Thread ID: 4181 | Posts: 25 | Started: 2002-12-25
2002-12-25 03:51 | User Profile
[url=http://toogoodreports.com/column/general/stix/20021223.htm]http://toogoodreports.com/column/general/s...ix/20021223.htm[/url]
It's A White Male Crimewave ââ¬Â¦ On TV!
By Nicholas Stix
Those evil, white males are at it again. In the past two months, Neo-Nazis have shot up and started explosions in Los Angeles not once, but twice. The Russian mob has also laid the City of Angels to waste. A priest was caught abusing an altar boy in Boston. A sniper terrorized the Miami area. In Philly, a white male was caught kidnapping girls, and turning them into sex slaves. In New York, innocent young black men were up for the death penalty, having been racially profiled in a murder case, when the real killer was white. And a white male is seeking to explode a nuclear weapon in L.A. (Los Angeles has suffered the worst, by far.)
What, you haven't heard? Then you've been watching all the wrong shows. The white male crime wave is happening on network TV dramas, of course. The neo-Nazi stories both played out during the first few weeks of Michael Mann (Miami Vice, Heat) and Frank Spotnitz' (The X-Files, Millennium) new police show, Robbery Homicide Division. That's a real poverty of imagination. One white supremacist story line per year, would already be pushing it.
Reality check: In the real Los Angeles, the murder rate is skyrocketing, but white guys have nothing to do with it. It's the real gangs that are doing the killing, particularly the black Crips and Bloods in South Central. ABC News is careful to avoid mentioning the racial character of the gangs. According to L.A.'s new police commissioner, William Bratton, over 100,000 young Los Angelenos are gang members. Bratton, who formerly ran the Boston and New York City departments, seeks state and federal intervention ââ¬â but not due to fictional white supremacist or Russian gangs.
The Robbery Homicide Division producers' racial pandering was to no avail. On December 11, CBS cancelled the show. The Tiffany network had previously made the ominous move of changing the series' night from Friday to Saturday. CBS executives denied that the cancellation had anything to do with the December 9 arrest on suspicion of domestic battery of star Tom Sizemore ("Detective Lt. Sam Cole"), whose girlfriend charged him with slugging and threatening her.
Although all of the priest abuse cases that have recently been uncovered involved incidents that happened years ago, that didn't stop Boston Public producer-writer David Kelley from exploiting the situation. Kelley has avoided dealing with the real problem plaguing the Church, of predatory, pederastic homosexuality, and the bishops who have tolerated it.
In re David E. Kelley: Watching the creative deterioration of the man who was once TV's shining prince into the equivalent of a supermarket tabloid, may please some of Kelley's critics, but for this observer the spectacle has been one of the great tragedies of contemporary television. As with the ancient Greeks, Kelley's great sin has been that of hubris: He wanted to produce more and more and more simultaneous series, and, he got the chance. Thus has one of the most original writers in the history of the medium degenerated into a paint-by-the-numbers, pc hack.
On Fox' cutting edge series 24, it looked like the show was finally going to have the nerve to portray a terrorist as an Arab ââ¬â you know, like in real life? No such luck. Now, it appears as though the Arab character was just a front for yet another evil, white male ââ¬â the terrorist father of the Arab's American fiance.
The sniper episode occurred on CBS' new CSI spin-off, CSI Miami. It was written and filmed prior to the real sniper attacks that were allegedly carried out not just in the D.C. area, but across the nation, by John Lee Muhammad and Boyd Lee Malvo, who happen to be black. No matter. Just as the real police ignored the evidence of letters, telephone calls and eyewitness accounts, in insisting that the killer was a white male, the next time a TV drama does a sniper story, the fictional killer will surely be ââ¬Â¦ a white guy.
The Philly sex slave story was an episode of Hack, a noteworthy new CBS drama starring David Morse. But Philadelphia is a majority black town in which white felons are as hard to find as Philly cheese steaks in India.
And CBS' cop show, The District, opened its third season with a black detective getting "profiled" while driving by a vicious, racist white cop who proceeds to mace the black detective, while the latter tries to show him his badge.
One of my favorite series, ABC's spy drama Alias, is about a young, female, CIA double agent (Jennifer Garner as "Sydney Bristow"), who serves with her double-agent father, "Jack" (an intense Victor Garber). Aside from the occasional black muscle, Alias has managed to avoid having any black heavies, while presenting a lily-white gallery of bad guys. Initially, the chief heavy was "Arvin Sloane" (Ron Rifkin), the head of "SD-6," a criminal organization masquerading as a "black ops" division of the CIA. Sloane recruits CIA agents who believe they are serving their own country, instead of undermining it. (Don't ask how the Agency could lose so many agents, without immediately becoming aware of the subterfuge. Alias requires the sort of constant suspensions of disbelief of a real (i.e., Sean Connery) James Bond movie, but the dramatic payoffs are worth it.) Meanwhile, the two regular black characters, Merrin Dungey as Sydney's roommate and best girfriend, "Francie Calfo," and Carl Lumbly as unwitting, fellow SD-6 agent, "Marcus Dixon," while likable and ably played, are noble beyond measure.
During Alias' maiden season, Arvin Sloane was eclipsed in evil by two other white devils: Sydney's mother, "Irina Derevko" aka "Laura Bristow" aka "The Man" (the still-stunning, still kittenish, Lena Olin), a former KGB agent who had murdered 13 CIA agents and who is the most evil, and initially the most powerful woman in the world, and "Sark." The blonde-haired, blue-eyed, palefaced "Sark" was initially presented in a way that suggested an Eastern European, and although Oregonian actor David Anders has him speaking English with one of those European-schoolboy-taught-by-a-lower-middle-class-Brit accents, incredibly, the character was recently described by "Sydney" as British. (The cute "profile" ABC has posted of the character says that "Sark's" place of birth was "Possibly Galway, Ireland.")
In the premiere of NBC's acclaimed, new, L.A.-set police series, Boomtown, created by Barry Schindel (former producer and head writer on NBC's Law & Order) a feral white boy murders a girl on a whim in a drive-by shooting (supposedly, he only wanted to frighten her). The white devil was in a car with an innocent black boy who had come under his influence, and who would, because of the white devil, panic and fall off a ledge to his death, when the police came to arrest him.
Boomtown's star, Mykelti Williamson, plays "Det. 'Fearless' Bobby Smith." In "The Freak," a moving episode about remembrance that was inspired by an even more powerful 1990-91 episode of China Beach ("Escape"), "Fearless" has to protect a pale white Russian beauty from the predations of murderous, Russian mobsters.
Reality check: In January, 1998, Mykelti Williamson was arrested, charged with attempted murder, and later tried for attempted manslaughter. (I'd never heard of a manslaughter charge, except as a case of an unintended homicide. Did the "attempted" manslaughter charge mean that Williamson wanted the victim to die, 'by the way'?)
According to Williamson's ex-wife, Cheryl Chisholm, he had been making harassing telephone calls to her, and stalking her. Williamson had allegedly followed Chisholm while she was shopping, robbed her of her house keys, entered her house and repeatedly stabbed Chisholm's boyfriend, Leroy Edwards, in the abdomen and the hand with a butcher knife. Williamson was arrested one hour later. In what amounted to a confession, "Williamson testified he got angry when he went to visit his 4-year-old daughter at his ex-wife's house, because he previously heard his daughter describe her mother having sex with Edwards." In September, 1998, as Williamson had predicted would occur, a California jury acquitted him of all charges.
The subject of Mykelti Williamson's travails with the law is blacked out of biographies of him, and avoided by interviewers. It is not known whether Williamson spends his free time hunting for Leroy Edwards' attacker.
2002-12-26 21:02 | User Profile
Here is more from the same source. The writers of the show Law and Order take actual crimes committed by blacks and other minorities and instead rewrite the scripts making a white man the criminal. I used to love this show until I read this article.
Toogood Reports [Christmas Weekender, December 29, 2002; 12:01 a.m. EST] URL: [url=http://ToogoodReports.com/]http://ToogoodReports.com/[/url]
My previous column detailed a number of network TV series' campaign to demonize white men and romanticize black men, in the depiction of crime. But without a doubt, TV's champion white-baiter is persistent felony offender Dick Wolf, the producer of Law & Order, two Law & Order Lite spin-offs, and a pseudo-documentary crime show. This column has previously detailed a fraction of Wolf's offenses against decency and verisimilitude, and will no doubt return to him; criminals are creatures of habit, and Wolf has a long-term contract with NBC through the 2004-2005 season.
In one episode this season, Wolf re-created the May 10, 2001, execution-style, Carnegie Deli Murders ("Tragedy on Rye"). In the real case, Sean Salley and Andre Smith robbed genteel drug dealer Jennifer Stahl, who lived in an apartment above Midtown Manhattan's Carnegie Deli, and murdered Stahl, Stephen King, and Charles Helliwell. Salley and Smith also shot Rosemond Dane and Anthony Veader, both of whom survived. In June, Salley and Smith were convicted on multiple counts of murder, robbery, and weapons charges; in July, they were both sentenced to 120 years to life.
In the L & O version, the black suspects who were slated to be up for the death penalty for the killings, turned out to be innocent. The killer was white. This episode, written by William N. Fordes, was set up to be an object lesson on the dangers of racial profiling, via the "conscience" of the character of black NYPD "Lt. Joyce Van Buren" (S. Epatha Merkerson), but was actually a shameless exercise in propaganda: The real Carnegie Deli killers WERE black men!
Taking real crimes committed by blacks, and giving them the "ripped from the headlines" treatment, but with the killers' races changed to white, is a Dick Wolf trademark.
In the recent episode, "Open Season," a William Kunstler-like criminal defense attorney gets a black man acquitted, who was guilty as hell of shooting a white police officer, and is murdered ââ¬â the lawyer, that is ââ¬â as he is celebrating the acquittal. The killer is a white supremacist, who conspires with other supremacists to murder defense attorneys notorious for handling such cases.
This episode's story line resided entirely in the fantasy world of Dick Wolf and writer Richard Sweren.
One secondary aspect of this episode was, however, based on a true case. At one point, the jailed white supremacist, who has been forbidden from all contact with the outside world, except for his defense attorney (Tovah Feldshuh), uses her as an unwitting conduit to pass along the address of someone he has targeted for murder to an associate, who carries out the killing. However, Dick Wolf's creative team made a slight adjustment in the story. The subplot was based not on a white supremacist, but on the case of radical attorney, Lynne Stewart. Stewart has been arrested and charged with deliberately passing along instructions from one of her clients, Islamic terrorist Sheik Abdul Rahman, who was convicted of masterminding the 1993 bombing of the World Trade Center, to his confederates. Stewart was taped laughing about what she was doing.
In the interests of full disclosure, I should note that on occasion, Wolf crosses over, and abuses white women, too.
In an episode created last season by writers Terri Kopp, Aaron Zelman, and Eric Overmyer, and re-run on December 4, Myth of Fingerprints, the forensics chief from hell (Diana Scarwid), is caught after having spent years falsely testifying against innocent men (even white men!), all of whom were convicted based on her perjured testimony. Eventually, she is convicted of manslaughter, based on the prison murder of one of the men whom she'd framed.
That episode was based on the very real case of Oklahoma City, Oklahoma forensics chemist, Joyce Gilchrist, who was caught having falsified evidence for years. Based on Gilchrist's testimony, 23 men have been sentenced to death, and eleven have been executed. Unlike the fictional forensics boss on Law & Order, however, Joyce Gilchrist is black.
Dick Wolf and his creative team apparently see TV drama as an opportunity to create non-stop propaganda, and get paid handsomely for it.
2002-12-26 23:11 | User Profile
After watching most any episode of LAW & ORDER - where the black perp is always a red herring and a white guy in a suit actually Dun It - you realize that 'NBC' stands for No Black Criminals. No shortage of black judges, commanding officers and saintly 'community leaders', however, all of whom speak flawless English.
I love that last bit. Eve watch a local newscast and hear some black person interviewed by a camera crew...and then read a transcript of that quote in the next day's paper?
It's amazing how much whiter they sound! Not a "nome sane?" to be found. (ie, "I ain't done nothin', nome sane?")
2002-12-26 23:39 | User Profile
Actually, on the rare occasions a black perp is shown - one hears the cries of "... why is the bad guy always black?" echoing through LA. Same if a mestizo is shown as a turd.
I don't know why anyone could be surprised that the world's biggest propaganda machine would show things any other way.
Stix makes one error regarding the skyrocketing murder rate here in LA - the mestizos are just about even with the blacks so far this year. However, hymie wants to keep the invasion off the radar, so hence, not much mention of it outside LA.
The numbers of non-white professionals (doctors, lawyers, judges, etc.) and VICTIMS as portrayed by the media has been at preposterous levels for years, and keeps growing. It's interesting how blacks claim they are underrepresented in TV, film, etc., but spend 15 minutes channel surfing, and look at movie ads in the papers (keep on the eye on the racial make up of the casting) and you'll see they are vastly over represented.
Yeah, Il Rag, the black guy is many times a red herring ... some kid duped or forced into a horrible act by a vile white male.
2002-12-27 05:48 | User Profile
Has anyone noticed that even the advertising is now used for brainwashing.
Just before Christmas, Pravda on the Mississippi [Minneapolis Star Tribune], was runing ads for a large dept. store that just had to show the obligatory race mixing ads, ie; the white blond arm in arm with the buck negro, and the worst one, a white woman in a bathrobe with the pajama clad negriod toddler.
Hate to wish this store any bad luck, but may they have an enjoyable bankruptcy!
2002-12-27 06:33 | User Profile
Originally posted by Blond Knight@Dec 27 2002, 05:48 ** Hate to wish this store any bad luck, but may they have an enjoyable bankruptcy! **
I think that's what's happening. The morning paper says it's the worst retail season in about 30 years.
Race mixing ads might not be the whole reason, but we can hope it's part of the reason.
2002-12-27 14:35 | User Profile
Another case of 'bleaching' -
In one of the Star Trek movies, the crew goes back in time and has to confront a guy on the bus in LA playing his music too loud, to the obvious consternation of the little old lady passengers.
Of course, the fellow was a white guy with a 8" mohawk.
2002-12-27 17:46 | User Profile
You want 'bleaching'? Last night I watched ROBOCOP. Love the movie, but postulating a dystopic Future Detroit completely inundated with WHITE street gangs had to have been Verhoeven's, or the studios', idea of a joke. There are only three mooncrickets in all of this "Detroit": a by-the-book cop (of course), a corporate exec (ditto), and a sadistic token-black henchman in an otherwise all-white/even-more-sadistic drug gang. Odd that the Concerned Negro Committees who hold symposiums on the 'coded messages being sent by Jar Jar Binks' all held their tongues at their lack of representation in the post-apocalyptic hellhole-Detroit of ROBOCOP. On the other hand, you can't get any more Aryan than Peter Weller, and even a nightmarish fantasy of a Detroit without blacks in it is a pleasant daydream, given what Reality looks like these days.
Ten years later when he made STARSHIP TROOPERS he created an even more stunning tableaux of an all-white future.....but this time, many Jews-with-bylines stepped forward to squawk about the Coded Message Being Sent by the alien bug-race being exterminated. (And they were on the money!)
2002-12-27 20:49 | User Profile
Verhoeven has produced some great, though odd, stuff. You never know if he's being serious- Basic Instinct had me laughing at out loud!
Dick Wolf's "Law and Order" also took on the ho+bitch denigration of women in .... heavy metal.. in the mid-90s. The perp was a Axl Rose-alike, but his lyrics were straight outta compton.
Bleach away!! :lol:
2002-12-27 22:11 | User Profile
Look at the difference in tone between the first DEATH WISH and its four (five? six?) sequels.
Though it's never mentioned among Great 70s Films, the original DEATH WISH was one of only two times I can clearly recall seeing lines twice around a city block waiting to get in as an everyday occurrance (THE GODFATHER was the other). I consider it a seminal if overlooked event in the emerging WN consciousness, and what people were unashamedly responding to was watching a white man taking back what is his. While not all of Bronson's prey was black, enough was to inspire those ticket buyer lines....and cathartic? You could hear the cheering in the street outside the theater when Chuck popped one onscreen.
Now look at the sequels (all but the first were produced by the Israeli Golan/Globus partnership) and you'll wonder what all the fuss is about. "Street scum" usually translates into white boys exclusively. One of them was set in "The South Bronx" (looked more like western Canada) and involved Chuck mopping up the drug gang terrorizing the hood: Mohawked white punk rockers!
Sidebar: It got so, by the end of the 80s, I'd begun feeling sorry for punk rockers. In real life, the surest way to get regular ass-whuppings/pariah treatment in everyday America was to sport a purple Mohawk or other such punk-fashion buffoonery. But the movie business, eager to sell you violence but loath to remind you who the most violent criminals actually are, pounced upon those poor boobs back in the days when Hollywitz hadn't yet seized upon White South Africans, mountain militias or the oddly Jew-free "Russian Mafia" as the all-purpose Negro Substitute that action heroes can merrily kill without the slightest twinge of conscience.
In closing - rent the very first DEATH WISH. Though if you didn't see it theatrically in a wildly cheering crowd of your own kind back in 74, you won't get the full impact, or understand the picture's importance.
2002-12-28 05:15 | User Profile
il ragno,
The first Death Wish was made by the Brit director Michael Winner, who reprised it a quarter century or so later by filming Helen Zahavi's novel Dirty Weekend. It's a curiousity I happened to see, although it is not so far as I know available in America.
Winner is not well-liked and was called "odious" by a Murdoch tabloid in Blighty. My guess is he remained unreconstructed. Either way the cuddly team of Golan/Globus didn't hire him for any of the sequels which I heard were pedestrian to the point of idiocy.
They cut corners at the wrong place and should have kept the Winner on their team. :P
2002-12-28 05:30 | User Profile
Yeah Il Rag, no one mentions the original DEATH WISH. There is even a cocktail party scene in which some of the "overheard" conversation is a woman mentioning that "... everyone knows most muggers are black,". If this statement were made in a film today, I think we all know just how the person saying it would be portrayed, no elaboration by yours truly needed. BTW - one of the guys that rapes and kills Bronson's wife in this film was played by Jeff Goldblum. I doubt you would see something like this today.
The sequels were hilarious in their total determination to **bleach the bad guys. ** DEATH WISH II was a riot, in that while there were two black gangmembers (one of them Lawrence Fishburn - who gets shot in the face while holding his boombox in front of his head for protection, funny) the rest were a bunch of white guys dressed in a manner that would have made them the victims of real criminals looking to roll fags. Even back then, (naive) people in LA were wondering why the bad guys in LA weren't shown to be a bunch of mexicans and blacks. Because that's what they were. And that's what they are.
Yeah, the punk thing was big for years, in terms of a ready made white guy puke. The only time it wasn't set up that way was probably when Cameron used punkers as the first guys Arnold encounters in THE TERMINATOR. Cameron wanted the cyborg to be dressed like punkers, because they were all over the club scene in LA at the time. Otherwise, the punkers were always the evil gang member incarnate. More trivia, the punker leader in THE TERMINATOR is Bill Paxton. He has four or five lines, then gets killed. Typical start to a career.
2002-12-28 08:31 | User Profile
I loved watching Charlie dusting nigras in Death Wish. One funny scene in the inferior Death Wish 2 was when Bronson saved a White couple from a thug and the cops were grilling them for a description of the "dangerous vigilante". "He was a big black guy - with a red beard!", the hubby mocked.
2002-12-28 16:09 | User Profile
Or what about the Eddie Murphy Vampire film, where he said that after the Vampires were kicked out of Egypt, some went to Romania, and others "with better taste" went to Africa.
2002-12-29 23:56 | User Profile
Okay, granted: white men are too often depicted as the bad guys in both film and television. But you'll also notice that the vast majority of shows and movies portray white men as the good guys. You have Harrison Ford in the Indiana Jones movies, Pierce Bronson in the James Bond films, and Russel Crowe in Gladiator just to name a few. And how many times have guys like Slyvester Stallone and Arnold Schwarzenegger played the primary hero role in action movies?
And I know this sounds lame, but does it really matter what race the hero and villain are? Isn't it more important that good triumphs over evil?
2002-12-30 01:25 | User Profile
Originally posted by kminta@Dec 29 2002, 16:56 ** Okay, granted: white men are too often depicted as the bad guys in both film and television. But you'll also notice that the vast majority of shows and movies portray white men as the good guys. You have Harrison Ford in the Indiana Jones movies, Pierce Bronson in the James Bond films, and Russel Crowe in Gladiator just to name a few. And how many times have guys like Slyvester Stallone and Arnold Schwarzenegger played the primary hero role in action movies? **
Don't give any more ideas to the Hollywood zhids ;)
It's more true to life to have white guys in the roles you listed, isn't it? I have to laugh every time the smartest and most ethical and kind guy in a movie is black, and a few whites are portrayed as total incompetents and evil.
2002-12-30 21:52 | User Profile
To add a little fuel to the fire, I'm sure Il Ragno will get a kick out of some of this ...
This past weekend I take the kids to see The Two Towers along with a friend of mine dragging his kids along. The wives needed a break. So do the guys, which is what we thought we'd get. Then the trailers for upcoming releases began to run ... first up, Terminator 3. Nothing unusual there, Arnie on the prowl, explosions, SFX galore. Then the next trailer shows cops watching some type of gathering, the cops are on some type of anti-drug raid, watching the bad guys with night vision equipment, etc. Well, the bad guys, these drug running evil men are ... a bunch of fat, middle aged white guys in Klan outfits, chanting "White Power! White Power!" ... Suddenly a couple of the Kluxers pull of their hoods - it's Will Smith and Martin Lawrence saving the day! They begin singing the theme from the TV show "Cops" (Bad boys, watcha' gonna do ...) while the stupid, embarrassed white yokels stare at the gun toting, fearless nigras. It then goes downhill from there, as you can imagine.
This was followed by a trailer featuring Vin Diesel in "A Man Apart". -- BTW, working in CGI here in Hollywood lets me hear a lot of stories, rumors, etc., most of which turn out to be true. These I can't verify, but I constantly hear that 1) Vin Diesel is not half Italian or even half Irish as some stories have claimed. These people say that he is half jewish. They also say 2) he is as flaming gay as Rip Taylor. Interviews with him usually show that he doesn't come off as the most masculine guy in town. -- Anyway, Vin and his goatee (which makes him able to pass as Adam Sandler's brother) and his full black partner are the heads of the best, toughest anti-drug unit ever. The unit did seem to have one white guy, he's about 70 years old ... well, the guy playing him is in his 60's at least, a message for us all, as the rest of the team shown was cool blacks, mestizos, I detected an Asian guy in the background, ethnic chicks, etc. The real face of America! Vinnie's wife is killed, Vinnie gets together his gang banger friends from his past, and goes out for revenge, like Charliel Bronson. Let's see if the bad guy is Mexican as he was in the original story. I think it's still OK to show some Latins as drug lords, etc. But that probably won't last long. However, the most interesting part of the trailer was the make up of Vinnie's team, at least what was shown in the quick trailer. The only white is an old guy. He'll probably be excess baggage, learning all types of moves and common sense from the wily bucks running the show.
At least I enjoyed The Two Towers. Even sat through all the credits, looking at what a film could be like without jewish interference - for the most part.
I agree with Madrussian. It is more realistic to show some white guy as the hero. Although the zhids are doing there best to turn that around, reality be damned. Most whites are generally shown as incompetent and evil, even when the protagonist is white! He usually receives help, these days, from aides and gatekeepers in the form of all knowning non-whites (especially blacks) a la The Matrix, the king of zionist propaganda SF efforts.
2002-12-30 23:09 | User Profile
Vin Diesel I'd bet money was Jewish (or half-Jewish, the new celebrity trend....pay me first, but kill me last). I know the type, having seen more than a few here in the hub of The Great Satan. They tend to grow up aping both what they consider to be Italian traits (thug-with-family-values-who-incidentally-makes-a-mean-pasta-sauce-from-scratch) and black traits (mainly lifestyle accessories, from tatts to jewelry to apparel and especially street lingo - all of which can be quickly discarded in a few years when he 'grows up' and 'gets serious about acting'....remember Marky Mark?) I'm guessing he's Jewish or part-khazar because, frankly, no other genre so eagerly adopts the protective coloration of whatever-they're-buying-this-year with such utter shamelessness (or hoots-pah).
There's yer regular workaday wigger; and then there's yer Jewish wigger, who's like the Ted Williams of identity-appropriation. Diesel strikes me - strongly - as the latter. But he downplays it, for the one reason that not even the Tribe can repair: outside of the White House, being a Jew isn't cool. They may run the media, dominate the culture and dictate policy but there are no Jonah Goldberg posable action figures, there are no moonstruck Walter Mittys who fantasize about being yarmulke-sporting action heroes, and scant few teenage girls of any race who automatically moisten at the thought of a hot night with a guy named Shecky. Why do you think the Name Change Mambo has been going on for a hundred years in southern California?
2002-12-31 01:25 | User Profile
It was my understanding that Diesel had black ancestry:
[url=http://www.africana.com/DailyArticles/index_20020812_roundup.htm]http://www.africana.com/DailyArticles/inde...812_roundup.htm[/url]
Check out these childhood pictures:
[url=http://web.axelero.hu/cskris/vindiesel/biography.htm]http://web.axelero.hu/cskris/vindiesel/biography.htm[/url]
2002-12-31 01:40 | User Profile
Vinnie sure looks as if he's got an uncle Myron at the studios, doesn't he? It's funny that the blacks have so quickly "adopted" him as a full blood rep of their crew ...
BTW - Mark Wahlberg isn't jewish, amazingly enough. He's one of those guys the tribe itself thought was jewish because of their name or their looks, and they didn't tip their hand until they were "in" and making $$$$. David Letterman is another one, along with Tom Snyder, Brent Musberger, Dick Enberg, Jay Thomas, Paul Schrader (the writer/director) ... I could go on, but a few of those wicked goyim and their German / Scandinavian names manage to confuse the tribe.
MW - no one is doubting Vinny the D has black blood ... it's the other half we're interested in ... he never gives a straight answer, and neither does anyone else.
I should have added that he isn't anywhere near as big in person as he looks on screen. He's kind of muscular - in the way that h.s. football players can be. He's probably not over 190 lbs., but the way his press goes, you'd think he was tippin' the scales like Howie Long in his playing days. The stories of his being a bouncer are probably from his p.r. people. Almost none of the macho stories you hear from Hollywood types are true.
That name change mambo has been going on for a lot longer than a 100 years out here, it's surprising how many sheeple are aware of it. Even the most brainwashed comment on it ... although sometimes in ways that are kind to the tribe, as you can imagine.
I'm not sure if NYC is the hub of the Great Satan, or if it's DC, or if it's even LA. Each ZOG stronghold has so many tools and levels of control, hoo hah!
2002-12-31 02:12 | User Profile
Originally posted by Roy Batty@Dec 30 2002, 21:52 ** Then the next trailer shows cops watching some type of gathering, the cops are on some type of anti-drug raid, watching the bad guys with night vision equipment, etc. Well, the bad guys, these drug running evil men are ... a bunch of fat, middle aged white guys in Klan outfits, chanting "White Power! White Power!" ... Suddenly a couple of the Kluxers pull of their hoods - it's Will Smith and Martin Lawrence saving the day! They begin singing the theme from the TV show "Cops" (Bad boys, watcha' gonna do ...) while the stupid, embarrassed white yokels stare at the gun toting, fearless nigras. It then goes downhill from there, as you can imagine.
**
Yeah, I saw that trailer, too. Ooooo, Will Smith & "Mah'in" Lawrence - I just know that a crowd of Klansmen would soil themselves when confronted with such Bad Ass Nigras as those. The talentless Lawrence is particularly loathsome; everything about the beast - from his frenetic, annoying ghetto patter & gesticulations to his beady-eyed mugging - screams "pure coon".
I wasn't gratified by the reaction of the almost entirely White audience to that scene, either: lots of laughter. Lemmings exist everywhere it seems.
I also noticed that Ah-nold's newest cybernetic nemesis is a girlborg. Oh yeah - that's believeable.....
2002-12-31 02:32 | User Profile
NB, Martin Lawrence is such a loathsome beast that back in the early 90's, the lighting director of his sit-com ( a white guy ) quit, because he couldn't stand listening to the beast's diatribes and rants that held up each shot. This guy walked out on what I believe was a $10,000 per week gig. Lawrence must be a prince.
As for the Ah-nuld Terminator trailer - with James Cameron not being involved, you can bet the yahoodi's were dying to somehow try and work a woman or non-white into a Terminator role. I'm surprised they didn't come up with a ne-borg, but then again, I know enough about the story (no, I didn't work on the effects for this one) that all the she-borg is, is an infiltration unit. Of course, a more advanced infiltration unit, so we can see her toss Arnie around.
Yeah, the audience reaction to BAD BOYS II wasn't quite what I hoped - although when they ran the shot of Will Smith flapping his lips and all the KKK'ers scared, I did say out loud "Must be a science fiction flick." That got a few laughs, and scared the hell of out my friend. The kids of course, were oblivious. But in a few more years ...
2003-01-01 07:38 | User Profile
Yeah, the audience reaction to BAD BOYS II wasn't quite what I hoped - although when they ran the shot of Will Smith flapping his lips and all the KKK'ers scared, I did say out loud "Must be a science fiction flick." That got a few laughs, and scared the hell of out my friend. The kids of course, were oblivious. But in a few more years ...
Ha! Good Job! I wish I'd thought of a quip like that.
2003-01-02 19:54 | User Profile
Granted, L.A. audiences may contain a goodly proportion of Ricki Lake audience spillovers, able to laugh at anything, but I don't know if laughter is necessarily a sign of agreement with the propaganda. I myself just about busted a gut laughing at the Bad Boys II trailer. The slow motions shots of Smith and Lawrence were priceless. I distinctly remember a profile shot of Smith in slow motion and his lips were flapping nearly off the screen. Said visuals, combined with that unique "urban" posture and mannerisms they both had, caused me to nearly spray my Coke all over the poor sot in front of me, who was frantically trying to finish reading The Two Towers before the movie started!
The less said about A Man Apart, the better. Typically awful crap from Hollyvitz these days. I will be a happy camper the day I read in the L.A. Times that Vin Diesel and Steven Segal played a game of chicken with each other and collided head-on with no survivors. If the flaming, gasoline-laden wreckage rolls over their respective entourages and associated movie producers, directors and lawyers gathered to witness the event, so much the better.
2003-01-06 14:50 | User Profile
Anybody seen the disgusting commercial for Hardee's new chili chesseburger? No race-mixing in this one: a 20-something woman sort of squats down like a coolie and sets the burger box on the floor to catch the dripping chili, then proceeds to munch 'n' slurp her way through her meal with the manners of a sow, even wiping her nose with the back of her hand. Then she puts the drippings in the fridge because "chili tastes even better the next day".
There's a lot of this kind of jew sh-t these days: little female slobs showing what tough "grrls" they are by acting & dressing in the most repulsively frat boy manner possible. None of that "girly stuff" for these "emancipated" beyatches, dude.
Death to the Lipshchitzim....