This is is the most comprehensive survey of the post-war avant-garde art scene in Japan in English. Reading up on the hijinks of the Hi-Red Collective is always amusing and a welcome corrective to those who only know of Kusama and Murakami.
I fixed it - thank you. They definitely had their own ethnogenesis here, and it predates the current American identity which coalesced by the 1940s. They aren't fully in the American identity though; and have different dialects, blood, and culture. In particular, their history has been almost entirely in opposition to the American people. They fought for the British in the Revolution and in 1812, for the Spanish in the Florida border conflicts, for the radicals in Reconstruction, and sympathized with the Japanese and Soviets in the last century. This century will see if globalists are able to subsume them into the American identity fully. Currently their miscegenation rate is about 20%, so seems likely, but who knows.
Recently, a few anons managed to get a hold of Henry Kissinger's undergraduate thesis, and scan it into libgen. Since I had the time to flip through its 320 pages, I can talk a little bit about the observations I've gotten into 26 year old Kissinger and his world view.
The first and most interesting part of the thesis is an immediate springboard into Spengler, who Kissinger paraphrases at length as he describes what most of us have by now read in Decline of the West. What becomes apparent is that Kissinger has a deep admiration for Spenglerian thought, and is less troubled by its implications than one might suspect. Several times throughout the section, Kissinger stresses the inseparable quality of history as metaphysics and justification for action, and with Spengler he conceptualizes duty as a personal responsibility greater than the individual which he tries to confirm with Kant.
Despite this, Kissinger unsurprisingly does not seem at all confident in a grandiose future for the West irregardless of the individuals who embrace duty. Twice in his Harvard thesis he drops the n-word, referring to nigger dances and music as unmistakable signs of decline, and considering this is 1950, one doesn't have to stretch very far to see what a specialist on Spengler and the Congress of Vienna would think about the state of America and Western Europe in 1968, much less in 2018. Disarming his thesis-board appeasing style, one sees the 26 year old Kissinger in a starkly modern context, but while his ethnic and post-war ties might have guaranteed him a post under Nixon in 68, I'm not sure his works could have been successfully ignored by his employers in a repeat today, even if he subtracted his tasteful usage of the n-word.
I think that another highlight of the thesis is the Toynbee section, where Kissinger can barely contain his disgust at the metaphysics of Christian Scientistic history. Kissinger may not have been familiar with this term, but what he finds most distasteful is actually what would be termed today as Whig History, and the entire last third of the chapter could be reworded into one of the better UR posts. Indeed, Kissinger dips into Moldbugery and Nrx territory by immediately suggesting that Toynbee's historical metaphysic is a remnant of modified Anglo Dissenter views of history, which is supported by Toynbee's usage of empiricism as a way of simultaneously asserting both moral and "scientific" predestination. Kissinger attacks this throughout the entire chapter with genuine annoyance, because the assertions that post-Calvinist history make dictate that there can be nothing transcendent or rational about history and that there is no room for the spirit of manhood in a clinical and moralistic retelling which obliterates all mystery and genuine feeling. This part is something I think everyone here should read, regardless of your personal views on Kissinger or his writing style, because it really does confirm the subtitle of Niall Ferguson's recent biography: The Idealist.
If we need any further proof, Kissinger uses the next chapter to further rebut Toynbee and what would become the dominate way of telling academic history with reflections on Kant and Dostoyevsky, and spares no expense in his appeal to rather ground Spengler to observable reality through Kant, rather than build the ideal world out of Toynbee's "empiricism".
Kissinger concludes however with a distinctly unspenglerian appeal to art, and poetry in particular as the apex method of historical synthesis presenting the true condition of man. The final pages are dedicated to Homer and Dante in particular, though Kissinger well knows that these are men of Springtime, he does not retreat from calling to their model of organic synthesis of the ideal and observable as presenting life. Because of this, you get a feeling that Kissinger, at least 26 year old Kissinger, is a completely sincere idealist at this stage of his life, and casts a gloomy but honest eye towards the future, despite his personal ambitions.
It is a bit tedious to plow through Kissinger's mildly autistic use of language at times (you'll see what I mean almost immediately) but I would say the opening chapter on Spengler and the last third of the Toynbee chapter are must reads, and if you have a sincere interest in exploring Kissinger as he appears in Ferguson's biography, read the whole thing. It's a fascinating and sincere insight into the mind of the man before his career, and makes me wish that in his old age or death we could have another glimpse at the internal Kissinger and what the hater of nigger dances makes of his garbage planet now.
http://libgen.io/book/index.php?md5=DC3A2C7C508BDA4B2037EC74F1852E7A